Featured Photographers

Featured Underwater Photographer – Boris Mekler

One of the best ways to learn photography is to see other photographers’ work. Mozaik looks for some of the best underwater photographers in the world, and showcase their work, along with the gear they use, to help other aspiring photographers improve, learn new skills and get inspired.

This week we will feature the talented Boris Mekler!

About Boris

I’m not a dive professional, and in fact, I’m pretty new to diving in general. A few years after my family made the move from Russia to Israel, we took a short vacation in Eilat, where, among other things, we did an introductory dive – the kind where an instructor is towing you by the tank valve for fifteen minutes – and this had been the extent of my exposure to diving. Still, it made an impression on the seventeen year old me, and the idea of diving in general and underwater photography in particular has stayed kind of on the periphery of my interest for years to come.

A couple decades later, I was vacationing on Koh Tao in Thailand, doing a few fun dives having just been certified, and on a passing whim, I took the PADI Digital Underwater Photographer course. There wasn’t much to the course itself – just reading through the PADI course book and doing two dives with a rented compact camera in a plastic housing, no lights or lenses – but at the end of that day, I knew I was hooked. The complex and challenging process of creating images underwater, both technical and creative sides of it, had grabbed me and did not let go. Coming home from that vacation, I did some online research, got a bit of a shock when I found how expensive housings and strobes are, but not long afterwards I had a second-hand Sony α6300 camera and a Meikon housing in my hands – and it kind of snowballed from there.

For about three years after that, I was combining trips to Thailand and the Philippines with occasional visits to Eilat and Sharm el-Sheikh, doing about fifty dives a year, but then came the big windfall in the form of COVID-19. My day job is as an IT systems administrator, and with almost all of my work being done over the Internet anyway, the transition to working from home was natural. When Thailand announced the initial reopening, I did the paperwork, breezed through quarantine, and on the first day of 2021 I had returned to Koh Tao, this time with the intent of staying for several months rather than just a few days.

That stay on Koh Tao had really enabled me to improve on my diving and underwater photography skills, both by having frequent and convenient access to diving and through meeting some amazing underwater photographers such as Alex Tyrell of Dive4Photos, Elaine Brett of Master Divers, Piers Baillie of Rocktopus, and others. Without them, I would not be where I am today. The culmination of that trip was five days on The Smiling Seahorse liveaboard with a group of photographers from all over Thailand, diving Richelieu Rock for several days and getting introduced to blackwater diving by Alex.

Speaking of blackwater, it has become something of a passion, and after some time spent back home, I was able to return to Thailand and keep indulging in it with the help of Franck Fogarolo and the rest of his crew at The Smiling Seahorse, who now feature one or more blackwater dives on every trip. Most of the images in my gallery would not have been possible without their help.

I still feel very much like a newbie, but every dive is another opportunity to improve. I’m using a rather eclectic mix of gear, combining an entry level housing with a mid-range camera and top-end strobes, but it works for me – the failings on my photos lie with the operator, not with equipment.

Boris‘ Gear

Camera: Sony α6300 in a SeaFrogs A6xxx Salted Line housing with 8-inch acrylic dome and two flat macro ports (one short and one long)
Lenses: Sony 10-18mm, Sony 16-50mm, Sony 30mm macro, Canon EF-S 60mm macro with Metabones IV adapter, Sony FE 90mm macro, Weefine WFL05S close-up lens
Strobes: Dual Retra Flash Pro, often with Retra reflectors, sometimes with Retra LSD snoot or Retra white diffusers, UW-Technics LED trigger
Miscellaneous: Weefine Smart Focus 1000 focus light, Nightsea fluorescence filters set, Weefine adjustable float arms

Boris‘ Work

The wall dives at Cabilao island in the Philippines feature some of the most colorful fan corals that I’ve ever seen.

While adult lionfish seem to be a common sighting everywhere, I have only once ran across a juvenile – this was taken at Anilao, Philippines.

More luck than skill or talent – at the time, I was shooting with SeaFrogs ST-100 Pro strobes, and having the 90mm macro lens on my camera, fitting this lionfish in the frame required shooting from a considerable distance – far enough that the strobes only barely lit up the subject’s face, leaving the rest of it in sinister spiky darkness.

Teeth! Still shooting with TTL-only ST-100 Pro strobes, I had to time this shot so that the main flash will fire when the moray’s maw is fully open.

Sometimes it’s the post-processing that creates a photo. I was at Koh Tachai, near the bottom – about 25m depth – when the guide pointed upwards, and there was this huge tornado of barracudas, all the way up near the surface. They were much too far away for a quality shot, but still, I pointed the camera upward, zoomed the 16-50mm lens about halfway in, and took a few snapshots. Initial result was an almost indistinguishable blue blur, but processing it to black and white has yielded something else entirely.

Richelieu Rock in Thailand is always good for huge schools of silversides that can give shots a dynamic feel.

When they aren’t nesting, titan triggerfish make great subjects. This one is at Koh Tachai pinnacle.

A brief surge lifted up this carpet anemone at Richelieu Rock to reveal the porcelain crab hiding beneath.

Fluorescence excitation filters give this bearded scorpionfish a completely different look. The glowing green mist was probably something spawning its eggs into the water.

While this creature looks like something out of a horror movie, it is in fact only a larval mantis shrimp that is less than an inch long.

This squid literally bumped into me at the beginning of a blackwater dive near Koh Bon, then spent several minutes circling me before zooming off into the darkness.

I’m not certain whether it’s shelter-seeking that I witnessed here, or a feeding frenzy.

Usually seahorses use their tails to cling onto something, but this one was just drifting freely through the night at a couple meters of depth.

Not actually a blackwater photo – I used a Retra LSD positioned above this ornate ghost pipefish to light it while excluding everything around it. Aiming was… challenging; I need a lot more practice with the LSD.

The pink skunk anemonefish is a common and unremarkable sight around most reefs in Thailand, but sometimes you can catch one at just the right angle to make it shine in a whole new light.

Follow Boris

Instagram: @bmekler

Jill B

Author

  • Jill B

    Jill is an avid scuba diver based in the Philippines, with a strong passion for underwater photography.

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